3 March 2009

coming soon to airwaves near you


Noisettes-Wild Young Hearts

Mazda’s advert, the one that rips off that White Stripes video, featuring Don’t Upset the Rhythm has already ensured that The Noisettes are going to enjoy much more success this time around after the rather brilliant single Don’t Give Up in 2007 failed to bring staying power to the London trio. Hopes are high this time with an album of sweet and soulful pop largely accountable to vocalist Shingai Shoniwa’s clear-as-a-bell vocals and eccentric yet empowering manner.

The Perils-Good People Do Bad Things

Same old name, clichéd lyrics, overly familiar subject matter, worn-out melodic patterns…the old indie landfill’s really taken a hit this time. I’m warning you people, sooner or later it’s going to fill up and there’ll be no space left. Then what’s going to happen eh? Put down the guitars, remove the trilbies and step away from the recording equipment. It’s been eight years, move on.

Friendly Fires-Skeleton Boy

Anyone not lucky enough to have seen this band yet; get your greedy little fingers tapping away at eBay ASAP and pay whatever those penny pinching touts are charging for the upcoming tour. Playing recently at the NME Awards the reserved-looking threesome exploded in an all out, beautiful mess of funk, trumpets, confetti and of course, Rio Carnival dancers. Skeleton Boy continues the band’s triumphant rise to the top despite sharing an almost identical melody to 90’s club hit You’re Not Alone.

The Shortwave Fade-Deletia

A sort of psychedelic Keane, The Shortwave Fade are yet another midlands band with zilcho dress sense and even less talent for writing lyrics. Deletia consists of eleven tracks set to a non-varying electro-rock backdrop which vocalist Chris Holloway‘s weak voice contends with in a struggle to make heard their tired and unadventurous lyrics (and if we die right here without a sound/I just want to say/I just have to say/I knew you were right). At their age they were over before they began.

Asher Roth-I ♥ College

Considering some of the main consumers of hip hop in the United States are middle-class, suburban-grown college kids, it was only a matter of time before one of them decided to have their go on the mic. Asher Roth, plucked from his sophomore year of university, now signed to Universal, is a white kid from the ‘burbs of Philadelphia. Single ‘I ♥ College’ sees a refreshing take on a music genre monopolised by consumerism and sexism, and although it’s also a far cry from the intelligent rap of Lupe Fiasco and Kanye, (See lyrics such as ‘Chug! Chug! Chug!’) the single has a home-grown easy attitude clearly reminiscent of late nineties/early noughties college favourites Dave Matthews Band and OAR; discussing relevant subject matter with a laid-back, ‘it’s all good,’ disposition.

23 February 2009

bruce springsteen...

...is officially playing glastonbury. Excuse the ineloquence but GET IN!!!

white out

Texas natives White Denim are the band that have me head-over-heels in love with new music again. After a sparse patch last year that saw little other than welsh songstresses, X Factor winners and indie landfill, small murmurs citing a band of music masterminds began infiltrating the ears of those in the know. The rumours gathered strength after the general release of White Denim’s debut album Workout Holiday; a refreshing piece of garage-rock-with-a-twist that secured a fast track lane that took the band all the way to November 18th 2008; the night they earned their name in Britain. White Denim’s gig at Dingwalls was hailed as the gig of 2008 in most of those yearly review things that take place of precedence in publications throughout December and received countless lashings of five-star reviews all over the media, from newspapers to music magazines, music programmes to the scene kids. Music finally had something to be excited about.
So many times we find ourselves mouthing the words ‘the Next Big Things’ at new acts for reasons that are so wrong. Either we’ve read a biased review somewhere, or we’ve heard good things from our friends in Shoreditch, so rarely these days is the Next Big Thing actually branded this for their music, and inevitably, they don’t last. Until now.
The oddest blend of people aesthetically; the bespectacled Steve Terebecki, dwarfed by his bass guitar, stands at nearly a foot shy of the other two impossibly lanky members. In regards to the music, no two songs sound the same; professional recordings that sound like demos with heavy bass lines and scratchy guitar riffs take the band back to the seventies, then forward in time with vocalist James Petralli’s Hives-like staccato barks. A concoction of cowbells, sand-shakers, cigarettes and tequila, a sprinkling of MC5 and some seriously bluesy undertones come together to make Workout Holiday the best album of 2008, and it was all recorded in a 1940’s Spartan trailer- talk about sticking to your roots eh?
I try not to have regrets in life, but if I could go back in time to the time when my brother said, ‘Hey Jess, wanna go see White Denim at Dingwalls on Tuesday?’ I and said, ‘Sorry buddy, I’m working,’ I would give 2008 me bloody good kicking.

like a virgin?

It’s a disarming thought is'n it? A 43-year-old ex-party girl rolling around on a bed in little more than an oversized t-shirt pretending to be a teenager? Disarming but intriguing, and let me tell you, if I look half as good as Sadie Frost after four kids, I’ll be stripping to my knickers every chance I get.
Touched…For the Very First Time is the new one-woman play that’s brought the multi-faceted Sadie Frost back to acting. It tells the story of a self-confessed ‘modern woman’ navigating her way through the pitfalls of life as she struggles to find herself through following Madonna’s principles. As the queen of pop performs her chameleon routine over time, so does Lesley, resulting in a hilarious caper that sees her switch from socialist’s daughter to boarding school student, Tory girlfriend to squat dweller, Motown Records extraordinaire to AIDs charity worker without ever being able to seize what truly makes her happy.
For those that are dubious of Frost’s return to the stage must remember that it was acting that first brought her into the public eye. Hailed as the Keira Knightly of her day, Frost had several high profile roles including Francis Ford Coppola’s Dracula before chucking it all in for a life of motherhood and, ahem, partying with Kate Moss. Frost’s acting ability is clearly apparent as she sashays her way around the intimate set, drawing personal connections with individual audience members; constructing a congenial character that the audience visibly warm to, no matter what terrible desicions Lesley makes. Most importantly she manages to forgo her offstage persona in order to assume her onstage being, a problem so many celebrities onstage are unable to do.
The script does read something like a homage to the clichés of the eighties and nineties with a plethora of name checks that nod to everything from the Met Bar to the Hacienda, all drawing knowing chuckles from the audience, whilst a soundtrack of eighties heaven intermits scenes. Although the script is seemingly written for Frost, it is, in reality, semi-autobiographical of the author Zoe Lewis, and unlike other similar self-expressional ventures, the beauty behind this one is that it doesn’t take itself too seriously. The play is there to be enjoyed rather than to generate life-changing revelations, and if some of the unduly harsh critics of the play up until now had dismounted from their high horses and seen the play in this light, then reactions would have been entirely more deserving.
Touched…is quite simply a delight; it’s a mile away from the middle class pretentions that still refuse to drain out of London’s theatre. Rather than being a chore, it feels more like a chat with an old friend; entertaining and long overdue. Frost is a pleasure to watch as she steers you through a flight of nostalgia that you didn’t realise was needed. And let’s face it, in these troubled times, a bit of light relief and a look back to the good old days can do wonders.

3 February 2009

snow way...

The Americans are laughing at us. And they’ve got a leg to stand on. The Great Snow of ‘09, as I’m officially dubbing yesterday, coated Britain in up to two feet of snow and brought all means of transport to a screeching halt. Even today, my university is still closed, Heathrow and City airports are unusable, the transport system across the country is hopeless, and the pavements are covered with a sheet of slick ice.
When I used to live in Chicago, a snow day was nothing but a mythical promise, occurring once every blue moon. Not once, in five years, did we have a day off school due to snow, not even when the drifts were higher than our screen door. If it started snowing at night, then by the time you awoke, the roads and public footpaths would be clear. If you couldn’t reach the bus stop from your driveway, you strapped on your snow boots and climbed, and as for a disruption in the transport system, it would have been an outrage.
The complete unpreparedness of Britain for a snowfall that was predicted weeks in advance was most obvious amongst those venturing on sledging expeditions. I saw To Let signs, bin bags, tarpaulin, bin lids, surfboards and even a wok used in the absence of one real sledge. For a country that once ran most of the world, isn’t it odd that just a few feet of snow is all it takes to stop us in our tracks?

31 January 2009

a fond farewell

I know you know about the mass venue closure across Tottenham Court Road for the gargantuan Cross Rail Project. But allow me to pay my own homage. As far back as I can remember, well, two-and-a-half years ago, Saturday night at Astoria 2 has always played host to some form of indie disco night, first Frog and then Push, aside from about two weeks in summer 07 when the ill advised Pop Scene took over. The drinks were always dear, the bouncers and bar staff unfriendly, the bands were mainly rubbish, but it was fun. It was a staple on our weekend calendar. And now it’s gone. Well, actually Push has come back in a new venue, but the less said about that, the better. Astoria 2 has seen some big moments on Saturday nights, some celebrated, some, not so. It’s played host to The Pigeon Detectives and The Wombats whilst they were still considered interesting and different for a brief moment in early 07. Other before-they-were-famous sightings belong to Vampire Weekend, Noah and the Whale and Natty. A bog standard playlist of the Libertines, Blur, The Jam, Iggy Pop, The Smiths plus whatever band was Myspace’s band of the week was enough to keep hundreds of sweaty-faced, sobriety-dodging first years writhing, moshing, bopping and snogging until the wee hours. Special mention must go to Push’s first (and only) birthday party where special guest, the elusive Andrew WK, reared his terrifying head and whipped the braying masses into a frenzy with a frankly ghastly set complete with a stage dive from Alice Dellal.
It has played a part in most of the major dramas within our circle of friends. Relationships have been forged and broken, friendships have been thoroughly tested, fights have been started, certain people have been banned from the dance floor and received some time on the naughty step from angry bouncers. But through it all, I cannot think of any other place that one can lose all inhibitions to ‘Killing in the Name Of’ without the worry of the judgement of others. Astoria 2 never tried to be cool, it knew it was sad in a way the KOKO didn’t, and so remained more popular. The line, ‘who’s up for Push on Saturday?’ would inevitably be met with groans and protestations but an underlying sense of satisfaction that you knew a fail-safe night was on the cards.
I’m glad it stopped when it did. All the punters were starting to look like our cooler younger siblings and didn’t know any songs pre-dating 2005, but nevertheless, Astoria 2 spanned our university existence and has received, in total, from me a good £600 worth of my hard-earned student loan. But I wouldn’t take a penny back, apart from the tenner I spent last night at new Push. RIP Astoria 2 and your Saturday nights, you were a dear friend.

25 January 2009

zoo reviews

Justice f. Uffie-TTHHEE PPAARRTTYY
Super-hot electro lovely Uffie helps the French duo craft the perfect antidote to those last stubborn strains of D.A.N.C.E. still going round your head.

Ashley Walters feat. Mutya Buena –With You
Former So Solid Crew member cashes in on Mutya's Celebrity Big Brother appearance. Good plan, rubbish song.

Lily Allen-The Fear
Gobby-mouthed Allen ditches the smart-ass lyrics and give-a-toss attitude in a satirical bid to come across all cute and naïve…and loses all her charm in the process.

Jay Sean-Tonight
No doubt the big hit in the clubs over the coming months, no doubt a lot more palatable with several beers down you. Instantly forgettable.

The Rifles-Fall to Sorrow
Lad-rock in a box. Paul Weller's latest favourites do exactly what it says on the tin, nothing more, nothing less.

The Airborne Toxic Event-Sometime Around Midnight
What with all the haunting violins and heartfelt emotion pouring out of this dramatic delivery from Los Angeles' hottest indie-rockers you'd be completely forgiven for shedding a very small, very manly tear.

celebrity nowhere

"Oh my GOD! She's a monster! Ahhh! Ladieeeees!' Around the room, starting with those closest then flowing like an aural Mexican wave towards the furthest regions of the room, identical wails of glee break out in cacophonic return. This is followed by a mad rush of half Primark, half designer-clad women, snorting with joy as they stumble across the room as fast as their knockoff Louboutins will allow, to the offending computer screen on which is pictured a thing so ghastly, so repugnant, that it remains to be seen if these women will ever recover. Staring out from the monitor, with a confident smile on her face, is a size fourteen woman wearing, God help us, a bikini.
Wait what?
Welcome to the most shallow and vindictive place on earth; the office of the celebrity gossip mag.
I was recently offered work experience at one of the major celebrity gossip magazines, and against my better judgement, going with the 'all experience is worthy' train off thought, I took it.
HUGE mistake.
Not only did I learn absolutely nothing at all, save the exact fat content the editor will accept in her lunch (17 grams since you ask), but I came out of the experience thoroughly depressed, incredibly angry and severely worried about the state of humanity and their obsession with celebrity.
The curiosity of the general public with members of society who hold a high profile is not a new concept. Ever since newspapers were invented, society columns have outlined the hilarious and outrageous high-jinks of the rich and famous. And the public eat it up because, well let's face it; whereas we're probably slumped on the couch watching T4, they're far more likely to be snogging a model on a yacht in Bora Bora, I know which one I'd choose. However in recent years, the nation's obsession with celebrity has entered an entirely new and almost chilling phase which shows no sign of retiring.
Heat Magazine, the publication that paid a large part in the rise of 'the celebrity', launched in 1999 and was one of media giant Emap's least successful publications with a circulation of less than 100,000. The public at this time simply did not give a monkeys as to the eating habits, family members, pets or rubbish bin contents of a particular celeb, it was of no consequence. The few huge A-list stars whose lives were covered by the media seemed so far away from reality that their lives were more like fiction; impossible for the average person to draw a connection with. But with the millennium came irreversible changes to our culture that helped to bestow the curse of celebrity forever upon us, altering Heat's fortune and securing the future of hundreds of copycat publications.
The main catalyst for the celebrity revolution was a disdainful programme which first hit UK screens in the summer of 2000. Big Brother changed the face of not only television, but the way we view culture as a whole. It was the show that spawned reality TV; giving people with little or no talent high profile exposure, and the public adored it. These brand new celebrities were everyday characters just like them; they hadn't been trained by PR agents to carefully conceal their private life. They were a breath of fresh air that gave ordinary members of the public a box to stand on from which to see over that fourth wall which separated the real world from the world of celebdom-an existence they could previously only dream about; it made the life of the rich and famous into something attainable. By 2006, during Big Brother 7, Heat was selling magazines by record breaking numbers, almost 700,000 per week.
If Big Brother brought the masses in, then a trivial-sounding feature, 'Celebs without Makeup' that pioneered in gossip magazines in the early part of the millennium, is responsible for making sure they stuck. The idea that Cameron Diaz had (gasp) acne scars under all that slap took her and her fellow Hollywood chums off their golden pedestals and back down to earth with a very satisfying thump, stripping them of their divine status. No longer perfect deities, for here was evidence they were but mere mortals, they became worthy of our judgement, whether it be to mock and ridicule or to sympathize with and support. Either way an intense scrutiny of their life was needed. And lo and behold, the magazines began to sell.
By and large, the celeb gossip empire came to have influence. Any publication with a certain readership is blessed to play a part in shaping people's opinions on the subjects about which they write. However, the gossip mags have abused that power and are well on their way to creating a generation of women who are unable to see through the inane material that has come to replace newspapers and books, and who are to suffer a lifetime of insecurity and little self-worth.
The poor bikini-clad woman from the computer screen earlier on was a reader who had sent her picture in to take part in a dieting programme run by our magazine. Although this particular publication will be remembered as having been a support in aiding this woman on her quest to achieve her 'goal weight', (a weight far too low, thanks to the veneration of the 7 stone Cheryl Cole), on the inside, in the safety of the office, she was being cruelly mocked.
This is an individual who subconsciously trusts this publication, as perhaps her main form of media, to help her navigate the twists and pitfalls of this difficult life we lead. By instilling in women a religion of celebrities, dieting and beauty is to repeatedly mock their lifestyles; dangling a life they can never achieve with constant reminders that they are never good enough. Celebrity mags are breeding a generation of celebrity worshippers, a new religion with a cruel God who scorns its subjects. Forget Mormonism, Celebism is the fastest growing, most influential religion in the world.
Examples of this cruel divinity are self-evident in any of these magazines. For instance, in a recent issue of one such publication there was an advert for readers to write in with their real-life stories. The ad boasted a reward of '£750 for your stories,' written gaudy letters, a highly significant amount for much of the readership, with pictures of previous real-lifers claiming '[This magazine] never made me feel judged.' And 'It was a safe place to tell my story.' Please! Everyone knows the real-life section is only there to pass judgement on the single mum who has no idea who the fathers of her thirteen children are, or the builder that moonlights as a drag queen.
I am aware that people are not forced to sell their stories but with celebrities gushing their 'secrets' left, right and centre in the rest of the magazine it does pose the question that if the Victoria Beckham's and the Kerry Katona's of the world can make money in this manner, why can't the readers?
The answer is because these people, the Jordan's and the Jodie Marsh's, have sold their lives as commerce to the industry and the price they've paid is worth far more than any money they've acquired. One pre-Christmas issue had a front-cover showing cancer victim Jade Goody clutching her kids with a headline that screamed, 'My Kids Don't Know I'll be Dead by Christmas.' If there is any amount of money that makes it worth your children reading that then I clearly can't count high enough.
Thanks to this spread of Celebism, an army of clones with a thirst for all things celebrity and not much else has been spawned. Just check out the comments pages on heatworld.com; all of them a mile long, full of impassioned debates concerning nothing but a trivial story about Paris Hilton's sex life, women now seem content with this the shallowest form journalism being their main mode of media.
This is entirely unacceptable. It is a media that patronizes their intelligence, suggesting that there is nothing more in this life that is relevant to them as females than clothes, make-up and the insatiably boring lives of these 'celebrities'. Surely women deserve better than magazines containing features such as 'The News (With the Boring Bits Cut Out!)'
Unfortunately with recent shows such as the X Factor breaking viewing records it looks like the world of
Celebrity is here to stay. Save for a few backlashes over extreme content, for instance Heat's distasteful decision to print a sticker concerning Jordan's severely disabled son that read 'Harvey Wants to Eat Me!' which was branded 'the lowest point in British journalism,' by The Times, there is very little to be found on the internet in the way of criticism of the appalling message that these magazines promote.
It seems even the writers of these magazines, the brains behind the movement, who you'd assume would be laughing all the way to the bank, are just as susceptible as you or I. When I jokingly pointed out the comedic aspect of Jordan possessing two files solely about her in the office of the magazine I was at, one for relationships, children and health, and one for her body, career and style, the writer I was with turned around to me very slowly with a confused and slightly annoyed look on her face and explained to me, as you would a child; 'well of course we would, Jordan is a very, very important person to us.'
I'm officially terrified.

change we can believe in, men's fashion I

With super-leader Obama’s policies altering life as we know it all across the US of A, it seems the still-popular idea of CHANGE has finally made it into the White House, centre of appalling fashion since JFK. Corporate uniforms of stuffy, shapeless suits have been eradicated in favour of baseball caps, leather jackets and (gasp) rolled up sleeves. So long Nixon and your sock garters, aurevoir Reagan and your starched shirts, the younger generation’s in power now; so undo that top button and burn your ties, if Obama can do it, so can you.

attack of cool dad, men's fashion II


No longer just a penchant for aging Teddy boys or transparently-closeted interior designers, velvet has been given the ultimate man-seal of approval by Mickey Rourke, who was recently seen sporting a fetching blue velvet number. Just a word of warning however; err on the side of caution, trendy dad David Cameron already pioneered the look with an ill-advised black suit a few years back.

man up for a day...lad's mag fashion

Four things women will be wearing this summer that men will love:

Nude, Sheer Fabrics
As if summer wasn’t glorious enough already, clever designers have spawned a crafty trend rendering what few items of clothing women will be wearing, see-through. Brilliant.

Grecian Goddess Draping
Clothing pick of Helen of Troy, famously the most beautiful woman to ever grace our humble planet, this wispy, elegant style is coming soon to a female near you.

Sky-high heels
The taller the better, this trend ensures packs of long-legged lovelies will
be a dime a dozen this summer. But try not to get too excited; they can also
be used as a highly effective weapon.

Eighties
Despite the fact our womenfolk more resemble American football players than their previously dainty selves, these shoulder pads, seen first time around on eighties fave, the power suit, are somehow strangely sexy.

And, two they’ll hate:

Harem trousers,
Think MC Hammer’s billowing pantaloons, now imagine them on your girlfriend.

Brogues
Seeing ladies strut around in our clothes is normally something we’re far from averse to, but when this trend extends to our shoes, we’re somehow not quite so turned on.

not looking swell for 2009...

Cage the Elephant-Back Against The Wall
Former champions to the children of the NME, the madcap Kentuckians fail to top previous successes with their latest contribution of indefinable rock/pop/rap/blues/whatever. A darned shame after tales of rowdy live shows and what was shaping up to be a tasty back catalogue.

Tommy Sparks-I’m A Rope
Yet another Scandinavian joins the invasion reminding us of how precious few first-class musicians we’ve been producing on our fair isle of late. I’m A Rope sees a delicious mix of electro with it’s roots firmly planted in hip hop and all from a mildly geeky 31-year-old who reminds us distinctly of Russell Howard.

Skint and Demoralised-This Song Is Not About You
To go as far as to give the somewhat highbrow label ‘salt-of-the-earth, zeitgeist poetry’ to this northern lad struggling to manipulate syllables to fit in with his mate MiNI dOG’s agonizingly derivative music would require an intense stretch of the imagination. But then again, what are PR companies paid for?

Ida Maria-Oh My God
A sneaky shot at a re-release doesn’t detract from the upbeat, punching antidote this song, seen first time around in 2007, provides to all those starting-to-get-kind-of-irritating other female singers recently seen smeared over every ‘Hot for 2009’ list.


Kid British-Leave London EP
Note to a few narrow-minded critics: having a multi-racial rock band does not mean they’re The Specials. What Kid British actually are, although slightly more exciting than their indie-in-a-box peers with a dash of hip hop and just a smidgen of ska to warrant the comparisons, is sadly not enough to steer their destiny away from the inevitable finality of heading straight to the Skins soundtrack.

12 December 2008

geeettt your kooks out for the laaaaads

Remember February 2005? There were still people who hadn't heard of the Arctic Monkeys, the Myspace Revolution was in full swing, and the excited buzz on the underground revolved around fresh-faced newcomers The Kooks. Barely out of their teens, the Brighton foursome managed to storm into the public eye just in time to be considered beneficial to English rock music, rather than detrimental as so many of their successors were (see Scouting For Girls, One Night Only; who? yep exactly). If anyone was capable of breaking the second album curse that had fallen over music, it was them. BUT! Alas, The Kooks got fame hungry,their rock and roll lifestyle came before their admittedly rather good music; well you can deny it now but ten quid says Inside In/Inside Out spent precious time in yours and many other CD players across the nation that summer. The repeated rehabilitation sessions of bassist Max Rafferty added to high profile press coverage of Luke Pritchard's latest love interests and verbal slanging matches propelled the band into a high profile spotlight that lost them the respect of the ever-important, trend setting scene kids and saw the tone deaf lager louts prick up their ears. Over three years without even a hint of a new tune cemented their fan base securely as one without a taste for musical quality, rather a taste for what's popular.
And so we come to last night.
Working at Brixton Academy on the first of two sold out dates for The Kooks was not a pleasant experience. The most docile audience members were the Topshop-clad children, dropped off by their mothers and frog marched upstairs to the under-14s section away from the braying oafs that made up the rest of the crowd. Purely there for no other reason than to get mullered on Turbo Shandys, (Smirnoff Ice and Carling apparently) the lads up from Croydon and Essex were hardly able to stand by the end of the night, let alone appreciate the music. It wouldn't have mattered if The Kooks were Basshunter or Britney, the gig was a clear indication that once music hits the mainstream it is clearly not appreciated for it's quality any longer, rather it becomes a background noise to suit the hobby of today; getting wankered.

5 December 2008

mr writer

Stereophonics, Decade in the Sun, The Best Of Album
The overused concept of a greatest hits album has always been confusing. Just who is it aimed at? One would believe that surely the biggest fans already own all the tracks on the album and then some, so it can’t be for them, and the recent release of the greatest hits of Craig David and Enrique Iglesias has proved that the genre is no longer a celebration of a lifetime achievement in music, so just what is it for? Hmm, quite a perplexing question. Stereophonics perhaps you can help us out?
The convenient Christmas release date of ‘A Decade in the Sun’ safely secured a million stocking fillers for dads around Britain and a nice, fat, end of year bonus for Kelly Jones and co. If there are still people out there without copies of ‘A Thousand Trees’ and ‘The Bartender and the Thief,’ although I really can’t think who, then who are we to judge what was actually a bloody good band for taking advantage and selling out just a little in these dark times of economic hardship?

emo no no

Boys like Girls-Thunder
No, don't do it. Please. Unless of course you are a fourteen year old girl with a penchant for polka dots and a black fringe which renders sight impossible, who just feels like, totally no-one gets you, apart from My Chemical Romance. And you live in Birmingham.

brian wilson would be proud

pacific! A Tree
So you have no job prospects, in all likelihood only got a bunch of IOU’s for Christmas and if you just turn your head towards the City, you’ll see a sky peppered with falling bankers as they plunge to their untimely but self imposed deaths, but hey! Enough of that worrying, pacific! are here! More blissful pop hailing from Scandinavia with enough of a Beach Boys/ Hawaii Five-O vibe to provide the perfect form of escapism. One listen and you’re reclining in a hammock, sipping mojitos whilst an impossibly beautiful island native massages your nether regions. Pure melodic delight.

i think i love her...

Ladyhawke, My Delirium-Remixes
Gee whizz-lucky me, a whole CD of the same song remixed in ten different ways. Not really necessary, but who gives a shit, Ladyhawke rocks, the song’s awesome and anything that can be done to keep her around as long as possible needs to be done, so go, buy, and enjoy, ten times over.

4 December 2008

Asted-way Ittle-ay Eejays-day

The View 21st November, Astoria
It's easy to get complacent after a swift rise to fame. In a difficult music industry to crack, Scottish rascals The View, under 1965’s James Endeacott, went from drinking in bus stops to sold-out tours in what seemed like barely a few months. However, the band’s transformation from underground darlings of the fourteen year old Doherty-alike tribe to drug-addled, Radio 1 brown-nosers has given the quartet a frustrating arrogance of the kind that usually precedes a fall.
It is rare to find a crowd as excitable as dedicated fans of The View. The space in front of the stage is packed to the brim with sweaty teenagers, soaked from flying beer cans, (slightly annoying until someone catches a band member square on his head) they are literally dribbling with excitement. And for the first three songs, the band acknowledge this, for a brief moment it is clear why they garnered such a dedicated following. Their relentless energy on two new songs and old favourite ‘Wasted Little DJ’s’ creates a squirming mess of crowd surfing, fights, more airborne beer cans and strewn items of clothing. The band’s thick accents render their banter incomprehensible to the Southern crowd but to no matter; the teenagers have got their heroes back.
After this brief spurt of energy however, the two front men seem to give up. They stop engaging with the crowd, new songs have clearly borrowed chords from old ones, obscenities are shouted to get the rise out of the audience that their music no longer can. The band stumble on with their well known tunes becoming less and less coherent to the disdain of the crowd desperately trying to sing along. Suddenly after barely fifty minutes and an unrecognizable ‘Superstar Tradesman’ they mumble their goodbyes and slope off stage, leaving the crowd chanting for an encore that never comes.
Most exasperating about the experience is that it was clear from their opening that The View could have achieved the gig of their life. Halfway through a near sold out tour, with an audience of die hard fans filling the prestigious London Astoria and they just couldn’t be bothered. Well, unfortunately for The View, they return to a music world with a very different face than the one they left just over a year ago. The fast-paced, internet driven industry has only got worse, and the fickleness of fans, due to a plethora of free music has augmented tenfold. The View were lucky in that they already had a fan base to come back to, but several more gigs like this one and the Dryburgh boys are in for a rude awakening.

21 November 2008

just for a tonight from several months ago

One Night Only; Push, Astoria 2
One Night Only, never before has a name encompassed so much interminable irony. Looking uneasy without their safety-net target audience normally composed of fifteen-year-old beauties of indeterminable sex and Hoxton haircuts, the Yorkshire band are out of their depth in this over-18’s nightclub. It is never going to be easy to win over a crowd of inebriated revellers on a Saturday night whose dancing tunes have been extinguished in an attempt to force them to watch you. ONO are painfully aware of this fact and the band’s jazzy attire and freshly buffed winklepickers do little to distract from the looks of panic, (or was that boredom?)on their faces as they take to the stage. Comprised of five spritely teenagers, with the preposterously beautiful lead singer George Craig perhaps providing a clue to the mystery of their 27,000 Myspace friends, the band stumble their way through their short set without an ounce of emotion; even after their first single Just for Tonight rewards them with several twitters of recognition from the dwindling crowd. Onstage there are no smiles, no outlandish stage antics, no light-hearted banter to do the job their music can’t. It’s worth mentioning that in consequence, the audience is possibly the most unresponsive ever recorded in history. There is not so much as a solitary mosh-pit aficionado to be seen, let alone people fighting for the coveted position against the front railings. Ah, so they’re only young, you say. Give them a chance? In today’s fast paced world of music there are not only a million bands that are doing it better, there are a million bands that are doing it better and are even younger. There is no room for error; it is no longer enough to be a sharply dressed, pretty face in the unforgiving milieu of new music. And, if they’ve any sense, the younger crowd’s opinion will soon echo the disdainful judgment of the audience members at Push. One Night Only? Here’s hoping.

control the noise

Noise Control-Steel
Top marks to the record producer who realised that electro was on the verge of taking over identikit indie bands; why not fuse the two together? Well, fuse he has in the shape of Dublin fivesome Noise Control who’s single ‘Steel’ serves to prove the unfortunate issue that the quality of music is no longer as important as the money that follows. The group that has been hailed as the love child of Underworld and The Prodigy is enough to leave music fans in a cold sweat about the future of dance. The harsh and confusing mishmash of ‘Steel’ is an obvious yet ingenious ploy to cover as many genres as possible to reel in the most gullible advocates of all scenes. Is it drum and bass? Is it rock? Who knows, but my god lets take MDMA, live for the weekend, chew through our own lips, and dance whilst looking like utter pricks.

WORSTival...ha...ha...hmm. sorry

Britain, ever the laughing stock of it’s European neighbours, is often mocked for it’s somewhat trying climate. The British have developed such a blasé attitude to their notoriously wet summers that rain is rarely able to spoil any event. Unfortunately for revellers headed southwards to the Isle of Wight’s Bestival, the tempestuous weather so far surpassed any expectations of an English summer that even the most hardened festival goers were tested.
For the past four years, Bestival, a product of DJ Rob Da Bank and his Sunday Best label has gone from strength to strength, earning it’s place among the top festivals in an increasingly full market. Small but significant touches keep the festival’s vibe individual, but even a breast-feeding area named ‘Breastival’ couldn’t cover up the grave oversights made by the organisers. By the time people arrived late on Thursday, hurricane force winds and torrential rain had already churned Robin Hill Park into a quagmire impossible to navigate, made less helpful by the confused stewards, seemingly unable to distinguish the whereabouts of any of the camping grounds, or more worryingly, the medical tent.
Those brave enough to venture out from the safety of their tents to catch the likes of their favourite lesser known or new acts such as Lykke Li or Metronomy on the BBC Introducing Stage were thrilled to find the stage had sunk into a watery grave rendering all acts cancelled until further notice. A similar policy followed on Saturday night when all acts past 7:30 mysteriously failed to materialize.
Disorganization of bands was a running theme throughout the festival. Saturday came with the slow realisation that someone, somewhere, had taken it upon themselves to move all bands on the main stage forward by an hour. Unfortunately for Bestival organisers, their foolproof method for enlightening people to this fact; one drunk pirate stumbling through crowds of thirty thousand with a sign, failed miserably, and resulted in many missing key acts they came especially to see.
Luckily on Friday night the rain held off just long enough for the atmospheric My Bloody Valentine to take the stage. A long summer of festivals had not affected the energy of the newly reformed band in the slightest and their fifteen minute wall of sound managed to excite even the most downhearted of the audience. Over in the Big Top tent the fantastic Ladyhawke and Santogold successfully flew the flag for those few female musicians left without a Brit School diploma and both delivered stunning sets. As evening wore on, the mud continued to rise and the rain again began to fall as the night descended into a filthy mess of fiendish electro courtesy of Erol Alkan and Chromeo.
To those who had survived through to Saturday morning after a night of Mother Nature’s worst it was clear from empty patches of grass around the campsites that Bestival had proved too much for many. However with the report (untrue) that the worst of the weather was over and with Saturday being Bestival’s famous day of fancy dress, things began to look up. The unfortunate irony of the theme, ‘30,000 Freaks under the Sea,’ was lost on no-one.
Saturday saw a big line up for the Main Stage. An erratic and frankly terrifying Gary Numan embodied the plight of an aging one-hit wonder clinging on to his last ounce of glory (with fabulous results) and brought a smile, albeit one of ridicule, to the mud soaked crowd. The mood only continued to lift as ‘Special Guests’ turned out to be The Specials, billed as Terry Hall and Friends in the absence of Jerry Dammers, who bounced their way through old favourites ‘A Message to you Rudy’ and ‘Too Much Too Young.’ Continuing along on the theme of comeback bands, The Human League, a vision of eighties pop in a whirl of pink and sequins, hairspray and inoffensive melodies proved that they still had it. And just in case anyone still cares, yes Amy Winehouse came, yes, she made everyone wait for over an hour, no, she didn’t complete a full set, and yes she snarled profanities at the audience before stumbling offstage, the end.
After an obscure and somewhat disappointing set by Aphex Twin and the chilling realisation that the campsite bore an uncanny resemblance to The Somme with people dropping like flies at every step, it became clear that things had gone too far. The momentary magic brought on by a single sighting of blue sky earlier in the day and an evening of nostalgic music was gone, and things again became unbearably hopeless. There were grim nods and looks of defeat; it was time to go home... And so, Sunday morning, ignoring the promise of Underworld later that evening, many began the long march home, back to a roof over their heads, baths, and warm beds; an untimely end to a potentially marvellous weekend.

20 November 2008

18 November 2008

i'm going out for a while (so i can get high with my friends)

I do actually have a rather wonderful job. Minimum wage is more than made up for by the incentive to see bands for free at Brixton Academy. Last night was a transportation back to teenage years, when everybody skateboarded, (heaven is a halfpipe of course) baggy jeans were in and weed was the drug of choice; Feeder played. Don’t get me wrong, Feeder post their drummer’s demise were not what they once were. Their airwave friendly tunes took them out of the realm of Wheatus and Sum 41 and into the category of Athlete and Embrace (remember them?) BUT back in the day drinking cider in the park and hanging around the town centre on weekends was nothing without a soundtrack of ‘Buck Rogers’ and ‘Just a Day’. So despite all the slightly unfortunate people who chose to ignore the unsaid rule not to wear a band’s t-shirt to their gigs, last night was a thoroughly welcome trip down nostalgia lane.

neverEVERland


Nevereverland-Coronet-Nov 15th 2008
If the Fosters barrel runs dry within an hour, you know you have far too many Aussies in one place. Australian festival Nevereverland's night in London boasted a killer line-up plus seven deep bar queues and toilets worse than Glasto. The few brave and courageous Brits who managed to navigate the largest population of inebriated individuals this side of the globe were aptly rewarded with some rather spectaular performances from Ladyhawke, Shy Child and Aussie natives The Presets whose psychadelic techno laughed in the face of Justice and highlighted a conspicuous absence of anything even close in quality hailing from our British isle.

excuses excuses.....

I was entirely suspicious this week when a letter arrived with the official Goldsmith’s stamp emblazoned across the envelope. The only times the university actually manages to be systematic enough to send out official post to you is either when they are requesting money, (such as the seventy pounds mysteriously appealed for last week citing some sort of administration fees) or if you’re in trouble. Luckily for my pitiable student loan, it was the latter. Apparently my attendance had not been up to par and I was one step away from an official warning. I was outraged; the main point to university is to miss one or two lectures here and there. Surely it’s the only time in life when a sick day a week is acceptable? Besides I didn’t think I’d done too badly at the whole demanding deed of dragging myself out of bed three days a week for a challenging two whole hours of classes. Mentally running the past six weeks over in my mind, the culprit slowly became clear, ah yes, the Thursday seminar.
The problem is, in an environment as lethargic as university, it is wholly acceptable to justify any wrongdoings academically with the most pathetic excuse possible, such as, ‘Well I’ve been to that lecture for the last three weeks running, isn’t it perhaps time I deserved a break?’ or ‘I’ve missed everything else this week, surely its’ better just to continue with it and then really knuckle down next week?’ Unfortunately these excuses seem to come without too much thought these days, and funnily enough are readily available at nine o’ clock when your alarm clock cuts through a hangover.
In all fairness it wasn’t actually my fault (excuse alert). Thursday mornings haven’t actually been a good time for me all year. The first Thursday seminar I missed I really did have a very good excuse; I was begging our landlord not to evict us after our neighbours called him complaining about our ‘small gathering’ that may or may not have got slightly out of hand the previous evening, and of course, as I need somewhere to live and I was the only one awake to deal with it, it does make a perfectly logical reason to miss the seminar.
The week after that however I did indeed attend in full spirits, ready to make up what I had missed, with all 196 pages of The Catcher in the Rye stored away in my memory, only to meet a class full of the most sour-faced, miserable wretches I have ever met, headed by this submissive, half-hippie teacher, and not the good hippie kind like my senior school English teacher who read the book like totally stoned and then talks about how it like totally spoke to them, no no, the other kind, the kind who spent a decade stoned and now nothing means anything to them. If that class was a colour it would have been like totally grey man.
Let me explain what a seminar is meant to consist of. It should be the lecturer or teacher prompting a discussion with some insightful question concerning the set reading that provokes a lively and/or intellectual debate amongst the students. I am of the opinion that, if at twenty years old and on an English course at a successful university, you are too shy to spit out a measly line citing some GCSE reference to the form or context of a novel, then you aren’t really going far in life. For an hour, I was the only one who spoke, bar the lecturer, who like totally appreciated my input man. I left wondering why I had disentangled myself from the comfort of my bed. You can see perhaps why I was not motivated to go back.
In my defence, (more excuses ahead) I have actually done all the work, and, believe it or not, background research. I have also attended pretty much all of my other lectures and seminars. The problem is, those ones inspire me, I enjoy them, whereas on the days of a Thursday Grey Day, lets face it, I’d rather stay in bed.